Leslie Tuttle

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Is Cuba part of an "Other" that is unfamiliar to us or is it more like us than we know?  Can we understand some of its icons – including cars from the 1950's and faded, but elegant, architectural gems - as a reflection of its history and unique priorities?  Are the people in the street threatening to us or our neighbors?  What does our estrangement from Cuba accomplish?  Perhaps these glimpses of Havana will encourage us to ask, if not answer, these questions.

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